Brief introduction of Liu Fengxian's art. Liu Fengxian, a famous Chinese artist. Born in 1942. From an early age, he loved fine arts very much. He used to be a fine arts teacher for many years. Under the guidance of Master Huang Zhou, he studied Liu Xi's painting theory and techniques for decades. He practiced hard and never stopped. He mainly painted flowers and birds, especially plum and peach. His works are majestic, fresh and pleasant, festive and have the flavor of the times. Because of the all-round development of poetry, books and paintings, it has a good reputation as an "oriental talented woman". She is a well-known female painter both at home and abroad. Ms. Liu Fengxian, a retired veteran of the State Council's Administration of State Council Affairs, has served as honorary chairman, honorary president, honorary curator, vice chairman, academician, consultant, researcher, director and other positions in more than 40 art organizations at home and abroad. She has held many personal exhibitions at home and abroad, participated in many national and international painting and calligraphy exhibitions, and won many awards. She has won many special awards, gold awards, silver awards, second prize, excellence award, special honor award, special contribution award, meritorious award, best creation award, etc. Mao Ti calligraphy has won over 100 awards and honors, including the Grand Prix, Excellence Award, etc. He has won the gold medal in the UN World Peace Painting and Calligraphy Competition and is an artist with the gold medal in the world. Because of his outstanding achievements, he has been awarded the titles of "outstanding national artist", "world artist", "master of painting and calligraphy", "oriental talented woman", "new leader in contemporary painting and calligraphy" and "outstanding people artist". He is a national gift calligrapher and painter named by the United Nations China-US Brand Conference. The works are compiled into more than 200 collections and dictionaries such as "World Famous Records", "A Generation of Famous Artists", "Famous Calligraphers and Painters of the 20th Century", "History of Chinese Art" (series of teaching materials for institutions of higher learning published by the Central Academy of Fine Arts: A Hundred Years of Chinese Art Education Yearbook), "Dictionary of Famous Chinese Calligraphers and Painters", "Treasure of the Republic of China", "China's Nine Hall Artists", "Chinese Contemporary Calligraphers and Painters", "China's Powerful Painters", "Plum Painters", "Artists Dominating China's Art Circles" and "Artists of Art Circles". He is the author of "Feng-xian Liu's Painting and Calligraphy Art", "Feng-xian Liu's Painting Collection", "Feng-xian Liu's Painting Appreciation", "Famous Painter Feng-xian Liu's Painting Album" (CD-ROM) ","Saint Confucianism-Famous Painter Feng-xian Liu's Art Collection ",(Special Stamps of Famous Chinese Cultural Artists)" Hundred Poems by Feng-xian Liu "and the medium-length documentary novel" Dreamer Studying ". His works are well received and collected by national leaders, business circles, art circles, museums, friends at home and abroad, and calligraphy and painting lovers. Because of their virtue and skill, they have become artists who are welcomed and loved by the people. The plum blossom described by Liu Fengxian is vivid in spirit and rhyme, natural in calligraphy, proud of snow and frost, majestic in momentum, thin in branches and rugged in vigor. The longevity peach is full and round, full of branches and luxuriant leaves. It is lifelike, vivid and unique. It can be called a special skill. These two types of her paintings are bold and unrestrained, with fresh and elegant ink, natural and unrestrained dripping wet, flowing with cool fragrance, full of juice, graceful lines, dignified and thick branches, and her other works are also quite capable. For this reason, they are often called "heroes of women". Liu Fengxian's creation is to learn from the past but not to copy it. He inherits and does not copy it. Instead, he firmly grasps some connection between natural plants and people's life, thoughts and feelings and gives them strengthened expression. Focus on the stippling and description of gods, spirits and rhymes, and pay attention to the expression of the concepts of beauty and goodness. The vitality of flowers and birds and their different characteristics are conveyed by "moving the vivid quality" and the happy effect of "seizing nature and moving the spiritual imagination" is emphasized. Through the creation of flower-and-bird painting to express their own interests, sentiments and spiritual life, to express their inner thoughts and pursuit, to express their feelings based on things, and to express their wishes based on things. Ink is the main element in traditional Chinese painting and calligraphy. Thick, heavy, light, clear and scorched ink is used to transport ink in five colors. The perfect combination of ink and color is the highest realm every painter strives for. However, the ink used in writing is the flesh and skin of painting art, while the strength in writing is the character and charm in painting. Liu Fengxian combined his own aesthetic taste with bold innovation and continued to try, gradually forming his own style in the appearance, bone method, texture, light and dark and modality verve of the works. Magnificent yet small and exquisite, vigorous yet natural and fresh, this is the portrayal of her paintings. . When Liu Fengxian created, he intended to put pen to paper first, and his paintings were all intended. They were bold and unconstrained without showing any publicity. The artistic conception was far-reaching and yet tranquil and fresh. The plum blossom was as bright as sunrise or white as snow. Longevity peach is delicate and charming, delicate and charming, delicate and charming, and fragrant. The fragrance seems to leap out of the paper and come on our faces. The natural spirituality is ingeniously touched in the painting, which seems to call out the deep echo of China's thousand-year-old cultural heritage and interpret the profound connotation of the ancient Chinese art. Liu Fengxian's works are characterized by their close combination of expressing feelings and expressing feelings by means of poetry, calligraphy and learning, as well as the operation of strokes and lines by means of bone method. He learned from nature and obtained the heart from the heart. Postscripts of poems and essays in paintings often represent the hearts of the owners of the works. A good poem can show the author's connotation and cultivation. A good poem can also make the finishing point. The poems in Liu Fengxian's works are ingeniously arranged, with a mind of heaven and earth. In terms of composition, they highlight the main body and emphasize the contrast between the actual situation and the actual situation in the layout and the echo of the look. The poems that give full play to the meaning of painting are written in appropriate positions with calligraphy in harmony with the style of painting, supplemented by seals, thus becoming a comprehensive painting and calligraphy art work with painting as the main body, leaving a space of sparse, dense, gathering and scattering. Flowers, fruits, birds and leaves are tender and flexible. The hair and astringent texture on the edge of the old trunk all show the wonderful workmanship of his works.

Liu Fengxian's Works

Liu Fengxian's Works

Liu Fengxian's Works

Liu Fengxian's Works

Liu Fengxian's Works

Liu Fengxian's Works

Liu Fengxian's Works

Liu Fengxian's Works